Newsletter
School of Art
Seek Knowledge for Wisdom and Peace
Vol.2, Issue.1, January 2024
Miniature Painting
Federally Chartered
Degree Awarding Ins�tute
Recognized by Higher Educa�on Commission (HEC)
Opening Ceremony Of Exhibition
Green Dot
Artwork titled “Desest Vegitation” by artist Dr.Asna Mubashra
School of Art recently hosted a compelling
exhibition addressing the urgent issue of
climate change, aptly titled "Red Alert to
Green Dot." This impactful event was metic-
ulously arranged under the guidance of the
visionary Dean School or Art, Prof. Dr. Shahi-
da Manzoor. The exhibition stood as a testa-
ment to the School of Art's commitment to
fostering awareness and provoking
thoughtful discourse on pressing global
challenges. The inauguration ceremony was
graced by the esteemed presence of Prof.
Dr. Murtaza Jafery, Vice Chancellor of the
National College of Arts. Accompanying him
were the distinguished Pro Vice Chancellor
of the Institute for Art and Culture Dr. Ijaz A.
Qureshi, Registrar Brig. (Rtd) Mr. Safeer
Vaseer, Group head HR Mr. Tanveer Ahmed,
Dean School of Art Prof. Dr. Shahida Manzo-
or, along with Deans and Directors, collec-
tively symbolizing the collaborative eort to
address climate concerns through artistic
expression. The exhibition featured an array
of captivating works, with active participa-
tion from both faculty and students, along-
side contributions from renowned artists.
The exhibition included traditional paint-
ings, digital arts, installations, sculptures,
ber art, as well as textile and fashion prod-
ucts. Each piece served as a unique lens
through which to view the profound impact
of climate change on our environment.
Installation being displayed in Institute of Art and Culture gallery
Installation on Ecological Impact upon Nature
An Artistic Call to Raising Awareness
about Climate Change
Group photo of students and faculty members at Green Dot exhibition, along with Chief
Guest, Pro VC IAC, and Dean School of Art
Chief Guest Prof. Dr. Murtaza Jafri viewing artworks displayed at IAC Gallery as part of Green
Dot exhibition
Chief Guest Prof. Dr. Murtaza Jafri in discussion with students about the
concept behind their installation, along with Pro. VC IAC Dr. Ijaz A.
Qureshi and Dean School of Art Prof. Dr. Shahida Manzoor
The students of 6th semester, under the
supervision of instructor Mr. Mir Hamza,
presented a meticulously designed
installation, where burnt faces are metic-
ulously axed to wooden sticks, resem-
bling the delicate and weathered appear-
ance of chapped matchsticks. This inten-
tional and laborious process serves as a
metaphorical representation of the fragil-
ity of the human condition when faced
with the relentless destruction brought
about by environmental issues. The
poignant nature of the installation strikes
at the core of viewers' emotions, prompt-
ing deep reection on the interconnect-
edness between human behavior and
the resulting ecological impact. The
deliberate placement of these charred
faces atop matchstick-shaped structures
is a visual masterstroke, capturing the
attention of onlookers and initiating a
stark contrast between the recognizable
human form and the stark reminder of
the destructive path humanity often
trends. Each face, now transformed into a
wooden stick with lingering embers,
portrays a palpable sense of sorrow and
despair. The artist skillfully conveys a
narrative of empathy and connection,
inviting viewers to engage with the
artwork on an emotional level. The
somber expressions etched onto the
faces evoke a shared sense of responsibil-
ity and accountability, urging individuals
to contemplate the toll of their actions on
the environment and, by extension, on
humanity itself. This thought-provoking
installation challenges the viewer to
confront the consequences of environ-
mental negligence, compelling them to
consider the broader implications of their
choices. Through its intricate details, sym-
bolism, and emotional resonance, the
artwork becomes a powerful catalyst for
dialogue and reection, transcending its
visual impact to foster a deeper under-
standing of the delicate balance between
human existence and the natural world.
Climate change is one of the biggest crisis that our world is facing
today. It has now become vital for the artistic community to join
hands, in order to raise awareness about this issue. In order to put
emphasis on this serious issue, School of Art took the initiative of
organizing an art exhibition on the theme of climate change as a
step towards contributing to the idea of saving the environment
and making sustainable choices. This artistic endeavor not only
demonstrated the talent within the School of Art, but also under-
scored the power of creative expression in fostering awareness and
inspiring positive action. "Red Alert to Green Dot" succeeded in
merging the realms of art and environmental advocacy, oering a
platform for dialogue on the critical issue of climate change.
Mini-Thesis Display of Textile and Graphic
Design Department
Graphic Design project D-Morph by Huzaifa on theme of deconstructing art and
design movements from history in cultural context
Graphic design student Hamna presenting her project titled Rabt to jurors
Group photo of School of Art Dean Prof. Dr. shahida Manzoor along with Textile and Graphic design faculty members and
students of mini-thesis from both departments
Textile design student Basma Ahmad explaining her mini-thesis
project to juror
essence of Data Darbaar, showcasing a
dynamic perspective on spiritual beliefs.
Within Redefining Feudalism, textile
art became a medium for challenging
societal norms. Techniques like embroi-
dery and mixed media were employed
to celebrate diversity, emotion, and
resilience, crafting a counter-narrative
to prevailing stereotypes. Every stitch
and element contributed to weaving a
tapestry that reected the vibrant spirit
of the artist's upbringing in a culturally
rich border region. The jurors gave a
very positive feedback about the quality
of work displayed by students, and
Dean Achool of Art appreciated the
eorts of School of Art faculty in guiding
their students towards creating
artworks presented in mini-thesis.
Mini-thesis display of School of Art students was exhibited in January,
2024 that covered a diverse range of topics, delving into a wide sphere
of themes, both in graphic and textile design. Students got an opportu-
nity to explore distinct and innovative ideas and techniques. The proj-
ects of studnets from Graphic design department that were displayed
included D-Morph by Huzaifa that is based upon art and design move-
ments through cultural representation, project titled Rabt by Hamna
delves into traditional heritage via contemporary design at a design
symposium. Dofy by Zarmina introduces a Braille campaign for the
visually impaired to explore retail products. Swaad Swirl by Eisha Hatif
reinvented Jalebi street food in four avours, while Anas designed an
urdu typeface based upon exploration of freehand typography.
Dribble by Aqeel focused on reviv-
ing hockey in Pakistan, emphasizing
youth development. Mir-e-Daas-
tan
by Daim showcased Kashmiri
cuisine (Kulcha). Photography based
project Daim Abad by Anas Bhatti,
that included his prize winning pho-
tograph, takes an archival journey
through Lahore's walled city via
historical poetry. Bloomicious by
Fatima Laeeq presented an innova-
tive bakery that centred on inspira-
tion from organic ower extracts.
The students from textile design depart-
ment also attempted to reach the pinna-
cle of their creative exploration by creat-
ing a range of projects that included
Pan-
oply
, a homage to Rajput warriors that
showcased a meticulous blend of tradi-
tional elements and modern design. The
use of diverse materials such as metal,
steel, and leather, along with intricate
embellishments, highlighted the students'
procient utilization of a wide range of
techniques. The sustainable fashion proj
ect incorporated techniques like upcy-
cling and circular design, creatively trans-
forming polypropylene bags into stylish
surfaces. Extensive exploration of recycled
materials ensured a cohesive fusion of
sustainability, style, and functionality. In
Contemporizing Spiritual Percepons, a
variety of mixed media techniques, includ-
ing embroidery, beadwork, and digital
compositions, were strategically applied.
These methods aimed to contemporize
and visually capture the spiritual
Contact Info: Phone: (042) 32590040 l https://iac.edu.pk l 7.5 km from Thokar Niaz Baig, Main Raiwind Rd, Lahore
Acknowledgements:
Supervised by: Prof. Dr. Shahida Manzoor -Dean, School of Art
Designed and Compiled by: Ms. Naima Muzaffar
Contributors: Mr. Kashif Rafique, Mr. Mazhar Hussein, Mr. Meer Hamza,
Ms. Nimra Sajjad, Mr. Zafar Shakeel
Group photo of 4th semester Graphic design students with instructor
Mr. Kashif Raque at Lahore Fort
Textitle design student Muhammad Abrar along with his design work based on
theme of Chintz patterns
Textile Products Inspired by Chintz Patterns
Visit to Old Lahore for Study of Light
Students from fourth semester Graphic
design department, accompanied by
their class instructor Mr. Kashif Raque,
embarked on a captivating journey to
explore the historical wonders of Old City,
and the historical sites of Lahore. The
purpose of this educational excursion
was to delve into the intricate study of
light and its impact on architecture, for
their photography class. The enthralling
visit included prominent landmarks such
as Masjid Wazir Khan, Shahi Hamam, Gali
Sojan Singh, and Delhi Gate. As the
students and faculty immersed them-
selves in the rich cultural and architectur-
al tapestry of these sites, they gained
valuable insights into the interplay of
light and structure - a crucial
aspect for their photography studies.
Under the guidance of their instructor,
the students had the unique opportunity
to witness the historical signicance of
each location and analyze the subtle and
distinct use of light in enhancing architec-
tural aesthetics of these historical build-
ings. This hands-on experience not only
enriched their understanding of photog-
raphy but also deepened their apprecia-
tion for the historical and cultural heri-
tage that is deeply embedded in the
realm of Old City of Lahore. Organization
of such trips gives students an opportuni-
ty to explore the outside world, and get to
view it with a new perspective, which is
vital for their journey and evolution as a
professional artist and designer.
In the course of their studies in the
B.F.A. Textile Design program, under
the supervision of instructor Ms.
Nimra Sajjad, students of semester 5
engaged in an in-depth exploration
of the thematic focus on Chintz.
designs and patterns Noteworthy
for their vibrant and intricate
designs, Chintz patterns, with
origins tracing back to India, are
characterized by the inclusion of
oral motifs, paisleys, and geomet-
ric shapes. The students diligently
embraced the signicance of the
Chintz theme, infusing modern
interpretations while upholding the
tradition of bold and lively designs.
Their exploration encompassed a
thorough examination of Chintz
patterns, color palettes, accessory
styles, and contemporary fashion
trends. Employing meticulously
crafted research boards on the
given theme gave them an oppor
tunity to develop their own print
designs for apparel. Moreover,
they showcased their creative
skills through the development of
coordinated garment designs,
culminating in the production of
nished products such as bags
and garments. In the develop-
ment of their products, students
adeptly integrated contemporary
bag styles trends into their
designs, skillfully infusing Chintz
aesthetics with a modern air.
Their discerning approach encom-
passed a thoughtful consideration
of prevailing trends, wherein they
selected fabrics and that resonate
with the discerning preferences of
the market. The resultant tangible
outcomes eloquently demon-
strate a nuanced understanding
and application of Chintz aesthet-
ics within the context of contem-
porary fashion designs.
